Submissions

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Submission Preparation Checklist

As part of the submission process, authors are required to check off their submission's compliance with all of the following items, and submissions may be returned to authors that do not adhere to these guidelines.
  • The submission has not been previously published, nor is it before another journal for consideration (or an explanation has been provided in Comments to the Editor).
  • The submission file is in Microsoft Word and PDF document file format.
  • Where available, URLs for the references have been provided.
  • The text is single-spaced; uses a 12-point font; employs italics, rather than underlining (except with URL addresses); and all illustrations, figures, and tables are placed within the text at the appropriate points, rather than at the end.
  • The text adheres to the stylistic and bibliographic requirements outlined in the Author Guidelines.

Author Guidelines

HEROS Citation Guidelines

The sources used should be indicated as follows (the first option for each of the following situations refers to the in-text citation and the second one to the references in the final bibliography).

Single author books

  • (Berger, 1972: 23)
  • Berger, J. (1972), What We See in the Mirror, Elsevier, Amsterdam.

Book: 2 or 3 authors

  • (Johnston; Markus; Wordsworth, 1972: 23)
  • Johnston, J.; Markus, K.; Wordsworth J. (1972), The Beginning of Language, Penguin, London.

Book: more than 3 authors

  • (Berger et al., 1996)
  • Berger, J. et al. (1996), Ways of Seeing, Penguin, London.

Book: chapter or article in edited book

  • (Johnson, in Peterson, 1998: 25)
  • Johnson, M. (1998), ‘History and Facts’, in Peterson, W., Our History, Penguin, London.

eBook

  • (Berger, 1967: 32)
  • Berger, J. (1967), What We See in the Mirror, Elsevier, Amsterdam, available from Elsevier books. [4th November 2004].

Journal article: print

  • (Cruchet, 2014: 23)
  • Cruchet, L. (2014), ‘Paysages célestes et angoisse du temps’, Echinox, vol. 17, pp. 45-54.

Journal article: electronic database

  • (Cruchet, 2014: 23)
  • Cruchet, L. (2014), ‘Paysages célestes et angoisse du temps’, Echinox, vol. 17, available at http://phantasma.lett.ubbcluj.ro/%20http://phantasma.lett.ubbro/?p=5181 [5th July 2015]

Dictionary

  • (The Illustrated Dictionary, 1990)
  • Johnson, H. (ed.) (1990), The Illustrated Dictionary, Eikon, Bucharest.

Encyclopaedia

  • (The Encyclopaedia of Romanian Architecture, 2000)
  • *** (2000) The Encyclopaedia of Romanian Architecture, Eikon, Bucharest.

Webpage: no date

  • (e-architecht, n.d.)
  • e-architecht, available at http://www.e-architect.co.uk/romanian-architecture [5th July 2015]

Webpage: no author

  • (e-architecht, n.a.)
  • e-architecht, available at http://www.e-architect.co.uk/romanian-architecture [5th July 2015]

Website

Facebook and Twitter/X

  • (Eric, 2012)
  • Eric, N. (2012), Social networking group (Facebook), October 5th, 2015, available from: <http://facebook.com>. [29thOctober 2012].

YouTube

For shorter quotations (fewer than four typed lines of prose or three lines of verse) in your text, enclose the quotation within single quotation marks. e.g.

Brenda Chamberlain ends her Greeks diary written on the island of Hydra, A Rope of Vines, with the following sentence:'We invent our lives, but there remains reality outside oneself, and these enduring boats, laden with melons and water pots, green peppers, and cattle, point the way to life through abundant dying.' (Chamberlain, 1965: 148)

For shorter quotations longer than four lines of prose or three lines of verse), place quotations in a separate block of text and omit quotation marks. Start the quotation on a new line, with the entire quote intended one inch from the left margin. Your parenthetical citation should come after the closing punctuation mark. When quoting verse, maintain original line breaks. e.g.

In the Afterword of Tide-Race, Brenda Chamberlain wrote on Enlli, Jonah Jones states the following:

[...] Brenda came to the island part-wounded in some way, came like a pilgrim searching out healing, hoping almost to master fear. One’s first impression of Brenda was of vulnerability. She was small, yet strong of bone with a tall, gothic countenance. But she was susceptible to deep hurt, which she held within. To seek an island is the wish of those to suffer too deeply from the cut and thrust of mainland life. (Jones, in Chamberlain, 2007: 225)

Our journal recommends the use of footnotes. They are indicated in-text by superscript Arabic numbers after the punctuation of the phrase or clause to which the notes refers.

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